Quantcast
Channel: Asian – Cinema of the World
Viewing all 795 articles
Browse latest View live

Takashi Miike – Naniwa Yuukyoden AKA Osaka Tough Guys (1995)

$
0
0

Regarded as a milestone in cult maestro Takashi Miike’s career, Osaka Tough Guys (Naniwa Yuukyôden) is the bridge between his work as an apprentice director and as an auteur. It also displays the two distinct themes that he would explore in later work.

Here, bonded together for the one and only time is an affectionate look at late youth that he would later develop (Young Thugs) together with the magic realist dive into yakuza life and rituals (Full Metal Yakuza, Fudoh) for which he is best known. When two street punks, Makoto and Eiji, run out of drinking money, it seems they have no choice but to look for work. But when they find an extremely well-paid job that requires no experience, they don’t realize that they’re about to be conscripted into the yakuza!

700MB | 1h 41mn | 608×320 | avi

https://nitroflare.com/view/482FC40308A1620/Naniwa.Yuukyoden._Takashi.Miike.1995_.english.subs._k_.ogm

Language(s):Japanese
Subtitles:English


Takashi Miike – Kishiwada shônen gurentai: Chikemuri junjô-hen AKA Young Thugs: Innocent Blood (1997)

$
0
0

A Takashi Miike film that is, to a degree, autobiographical, Young Thugs – Innocent Blood follows three friends through their first year after leaving school. Having robbed their teacher on their last day at school, Ryoko gets a job in a hair salon, while the two boys settle down to a career of enforcement and protection.

Set in Kishiwada, a fishing district in the industrial town of Osaka, Innocent Blood lives up to its title. A lot of blood gets splattered around, without anyone getting too badly hurt, or taking too much offense.

This is a story of rough kids trying to find their way in the world, a world of violence, sentiment and comedy, in a film that moves at a cracking pace from the opening shot.

699MB | 1h 47mn | 640×368 | avi

https://nitroflare.com/view/712129631A03936/Young_Thugs-Innocent_Blood.avi
https://nitroflare.com/view/AD7FD92874EF993/Young_Thugs-Innocent_Blood.idx
https://nitroflare.com/view/8F5F2C04526F09D/Young_Thugs-Innocent_Blood.sub

Language(s):Japanese
Subtitles:English

Seijun Suzuki – Kekkon AKA Marriage: Jinnai-Harada Family Chapter (1993)

$
0
0

結婚 陣内・原田御両家篇

An omnibus featuring the work of three different filmmakers.

Suzuki directed the third story about a woman who gets tired of waiting for her dream-boy to pay attention to her. She decides to take a chance on a close friend. Merely a footnote to Suzuki’s career of 46 movies.

479MB | 00:44:29 | 640×360 | avi

https://nitroflare.com/view/B8965677E168A1A/Kekkon_(Marriage_-_Jinnai-Harada_Family_Chapter)_-_Seijun_Suzuki_-_1993.avi
https://nitroflare.com/view/CE5B545C8EA1862/Kekkon_(Marriage_-_Jinnai-Harada_Family_Chapter)_-_Seijun_Suzuki_-_1993.srt

Language(s):Japanese
Subtitles:English

Nobuhiko Obayashi – Seishun dendekedekedeke AKA The Rocking Horsemen (1992)

Yôji Yamada – Otoko wa tsurai yo: Shiretoko bojo aka Tora-san 38: Goes North (1987)

$
0
0

Quote:
Tora-san, the näive and romantic peddler, returns once more to his home in Hokkaido where, as usual, he falls in love with a lovely young lady. The girl this time is Rinko Ueno, who has come home in an attempt to repair her relationship with her gruff veterinarian father, Junkichi ‘Jun’ Ueno. Tora-san gets caught up in the entanglements not only between Rinko and her father but between Dr. Ueno and Etsuko, a restauranteur with amorous plans for the ornery veterinarian

1.38GB | 1h 58mn | 720×304 | avi

https://nitroflare.com/view/F9E9DA1A6A2E6F7/tora_san_38_Goes_North.1987.zupluciandvdrip.AC3.Xvid.avi
https://nitroflare.com/view/10C36C3CAE2C40A/tora_san_38_Goes_North.1987.zupluciandvdrip.AC3.Xvid.idx
https://nitroflare.com/view/C1BAE256FECA0D9/tora_san_38_Goes_North.1987.zupluciandvdrip.AC3.Xvid.sub

Language(s):Japanese
Subtitles:English

Satyajit Ray – Sonar Kella AKA The Golden Fortress (1974)

Nagisa Ôshima – Natsu no imoto AKA Dear Summer Sister (1972)

$
0
0

“Certainly the oddest Oshima film yet to surface in this country,” was how Vincent Canby, an Oshima champion, characterized Dear Summer Sister when it got its first New York release in 1985, and the film remains quite amazingly strange.

The director takes a very serious subject – the return of Okinawa to Japan from American control – and gives it a pop, almost parodic feel, with a floating camera and free-form narrative. … Though he claimed at the time that the film was very clear and straightforward, Oshima keeps adding all manner of strange characters and incidents, hints of incest and illegitimacy, a murder plot, and commentary on Japan’s war crimes and abuse of Okinawa, all the while maintaining a breezy, sometimes farcical tone. The effect is sometimes enchanting, sometimes baffling. “Dear Summer Sister has something of the manner of a frisky Japanese homage to Michelangelo Antonioni…. The performances are good, especially those of Hiromi Kurita as Sunaoko and an actress simply called Lily as Momoko. The photography – this time by Yasuhiro Yoshioka – is exceptionally bright and vivid, as it always is in Oshima’s work.”

1.10GB | 1h 34mn | 656×480 | avi

https://nitroflare.com/view/9F73943DB0C05AF/Dear_Summer_Sister.avi
https://nitroflare.com/view/EE2736BF341BA07/Dear_Summer_Sister.idx
https://nitroflare.com/view/31620BFC128BE77/Dear_Summer_Sister.srt
https://nitroflare.com/view/78AA51B60F3DB1C/Dear_Summer_Sister.sub

Language(s):Japanese
Subtitles:English (idx/sub, srt), Chinese (idx/sub)

Juzo Itami – Shizukana seikatsu AKA A Quiet Life (1995)

$
0
0

Veteran director Juzo Itami who — shot to fame with his sharply satirical Ososhiki and Tampopo — turns to decidedly sweeter fare in this melodrama about the life of a mentally handicapped young man and his devoted sister after their famous novelist father and housewife mother go to Australia on a business trip. Adapted from the novel by Nobel Laureate and brother-in-law to Itami, Kenzaburo Oe, the film centers on Iyo (Atsuro Watabe) — a brain damaged lad who is a gifted musician — and his artist sister Ma-chan (Hinako Saeki), who slowly learn about the darker, more complicated life outside their idyllic home. One catalyst in this transition is Arai-kun (Masayuki Imai) who at first seems like not only the perfect swim instructor for Iyo — he’s kind and patient — but also the perfect boyfriend for Ma-chan. Unfortunately, Arai-kun has a darker side, which comes out in unfortunate ways. Itami’s wife, Nobuko Miyamoto, also appears. ~ Jonathan Crow, All Movie Guide

1.46GB | 2h 06mn | 624×352 | avi

https://nitroflare.com/view/8890211FEB3FCAF/QuietLife.avi
https://nitroflare.com/view/11D6463B5B69AE1/QuietLife.idx
https://nitroflare.com/view/308B377B5C22633/QuietLife.rar
https://nitroflare.com/view/624D4D38C7EA435/a.quiet.life.1995.dvdrip.xvid-imbt.Allzine.español.srt

Language(s):Japanese
Subtitles:English vobsub, Spanish


Kihachi Okamoto – Tokkan AKA Battle Cry (1975)

$
0
0

Quote:

Peter High: Your war films seem to fall into two categories – those large, epic productions you did for Toho like Gekido no Showa-shi Okinawa kesen (The Battle of Okinawa, 1971) and the low-budget, personal ones financed by yourself, like Nikudan (The Human Bullet, 1968) and Tokkan (Batle Cry, 1975).
Okamoto Kihachi: Yes, the ones at Toho were expensive o the time, about 400,000 US-Dollars. The budget for my personally financed films was one tenth of that. Of course, Japanese cinema simply can’t compete with the budgets of American films like The Longest Day. We’re forced to suggest entire battle scenes by showing small parts of the whole. Okinawa kessen is a good example, since the entire Japanese Army had ot be represented by fifteen actors and the American side by another fifteen – so even at Toho I was restricted to a rather puny scale. In Nikudan I worked with only one character and in Tokkan, I had only two. Again I was trying to convey the whole by portraying a mere part. So actually the budget in Japan doesn’t make very much difference after all.
Peter High: Did Toho lay down any rules or guidelines about how you should portray the war?
Okamoto Kihachi: No, there really weren’t any at all. They simply wanted to insure a financial success – or rather, avoid losing money on a flop. That was their sole concern. The company made the big decisions about the kind of film to be made. Once in production, I had a fairly free hand. Of course, as time went on, their decision became a real headache. Kiru (Kill!, 1968) – the samurai film with Mifune – was my last Toho film where I was free to choose the subject myself. After 1968, all my films were dictated totally by the company hierarchy. Both Nikudan and Tokkan were written while I was still a director for Toho. I submitted both these scripts and negotiated with Toho about Nikudan for three years. Needless to say, nothing happened and I need up financing it myself. The same for Tokkan. Financing films on my own was a nightmare, but emotionally liberating.

Peter High: If you had made Japan’s Longest Day by yourself, would it have turned out differently?
Okamoto Kihachi: Actually, the issue goes deeper than that. If I’d been in complete control, my real problem would have been with the theme itself. I’d rather do a film about the opening days of the war than about the final days.
Peter High: But, wouldn’t doing a film about the beginning of the war inevitably put you in the position of implicating someone with war-responsibility?
Okamoto Kihachi: I suppose so. But that’s not necessarily an ideological problem. For example, at the beginning of the war the Emperor couldn’t control the events which led us into conflict. But in the final phase, he did press for a decision to prevent the total extinction of Japan. Without his decisive action, I myself might not be alive today. So, you might say its the tale of how I personally survived the war. Still, this in now way explains how the war began. I believe the roots of the war can be uncovered only by looking all the way back to the period of a hundred years ago. Therefore, I set Tokkan in precisely that period.
(Peter B. High, ” An Interview with Kihachi Okamoto”, in: “Wide Angle”, Vol. 1, No. 4 (1977), pp. 25-26)

1.37GB | 1h 32m | 720×560 | avi

https://nitroflare.com/view/F7E83E502E36058/Okamoto_Kihachi_-_Tokkan_(1975).avi
https://nitroflare.com/view/441CD7ED5F6CF3E/Tokkan.1975.DVDRip.XviD-MOC.EN.srt

Language(s):Japanese
Subtitles:English

Kihachi Okamoto – Jazz Daimyo (1986)

$
0
0

Quote:
A Nutshell Review: Dixieland Daimyo, 26 October 2006
Author: DICK STEEL from Singapore

My initial reaction was, this sure is one strange movie. Set in the late 19th century and after the end of the American Civil War, three slaves decided to make their way back to Africa, but en route, found themselves on the shores of Japan after a shipwreck. From then on, it’s a weird mix of Japanese shogun intrigue and jazz music fused into a somewhat nonsensical end.

The introduction needed a little getting used to, since the Americans were clearly speaking in English, but had their speech dubbed over with voices speaking Japanese. Subtitles and intertitles became Japanese at certain points of the story, although English subtitles were used when they had their voices dubbed. So it’s listening to two concurrent language tracks, and reading the English subtitles.

The storyline and its characters were peculiar as well. Essentially, it’s about the chancing upon a group of gaijins who bring along their musical instruments and talent for jazz (well, actually not quite. They only know one song, and it’s played ad nausem after plenty of practice), and sharing their passion for music with the native Japanese. And it all turned out to be one huge STOMP-like ensemble performance and a trance like rave party, which seemed pretty out of place given the development of the storyline.

Actually, what storyline? The “intrigue in the palace” styled story isn’t inspiring, and for most parts it just bores. There are some characters which had potential to be something more, like the martial arts skilled princess, but given its runtime of less than 90 minutes, it’s already hard pressed to get any more character development.

So that leaves the finale, which looks like an extended music video. But what I thought was interesting, was the way how the portrayal of “leaving society” was handled, with the jazz performance, and the depiction of turmoil and inevitable changes happening above their performing grounds. There were murmurings around me about how absurd it all is, but I thought it was quite neatly done, and brought its own message across in a very non- conventional way.

1.37GB | 1h 31m | 624×400 | avi

https://nitroflare.com/view/799ED2280193F41/Okamoto_kihachi_-_Jazz_Daimyo.avi

Language(s):Japanese
Subtitles:None

Kihachi Okamoto – Samurai aka Samurai Assassin (1965)

$
0
0

Synopsis:
February 17 to March 3, 1860, inside Edo castle. A group of assassins wait by Sakurada Gate to kill the lord of the House of Ii, a powerful man in the Tokugawa government, which has ruled Japan for 300 years. They suspect a traitor in their midst, and their suspicions fall on Niiro, an impoverished ronin who dreams of samurai status, and Kurihara, an aristocratic samurai who befriends Niiro. Niiro longs to identify his father, knowing he is a high-ranking official who will disclose himself only if Niiro achieves samurai status. With American ships in Japan’s harbors, cynicism among the assassins, and change in the air, Niiro resolves to reach ends that may prove ephemeral.

2.08GB | 2h 01mn | 1034×440 | mkv

https://nitroflare.com/view/6F71EF4B2347B20/Samurai_Assassin_(1965)_–_Kihachi_Okamoto.mkv

Language(s):Japanese
Subtitles:English

Masaki Kobayashi – Seppuku aka Harakiri (1962)

$
0
0

Quote:
Following the collapse of his clan, an unemployed samurai (Tatsuya Nakadai) arrives at the manor of Lord Iyi, begging to be allowed to commit ritual suicide on the property. Iyi’s clansmen, believing the desperate ronin is merely angling for a new position, try to force his hand and get him to eviscerate himself—but they have underestimated his beliefs and his personal brand of honor. Winner of the Cannes Film Festival’s Special Jury Prize, Harakiri, directed by Masaki Kobayashi is a fierce evocation of individual agency in the face of a corrupt and hypocritical system.

3.15GB | 2h 13mn | 1024×436 | mkv

https://nitroflare.com/view/5B30C94620C58DB/Seppuku.Harakiri.1962.CC.Bluray.576p.x264-KG.mkv

Language(s):Japanese
Subtitles:English, Italian Spanish, Portuguese, Greek, Polish, Czech, Turkish

Pou-Soi Cheang – Yi ngoi aka Accident (2009)

$
0
0

A self-styled “accident choreographer,” the Brain is a professional hit man who kills his victims by trapping them in well crafted “accidents” that look like unfortunate mishaps but are in fact percectly staged acts of crime. After one mission accidentally goes wrong, causing the life of one of his men, the Brain is convinced that this accident has been choreographed, someone is out there to terminate him and his team. He becomes increasingly paranoid when he discovers that a mysterious insurance agent Fong is somewhat related to one of the “accidents” he has staged, the Brain becomes obssessed that this man must be the mastermind behind a conspiracy to take him out. To regain his sanity and to save his life, he must strive to kill Fong before he makes his next move.

1.37GB | 1h 23m | 704×288 | avi

https://nitroflare.com/view/B3E478F95C7AEA5/Accident.avi
https://nitroflare.com/view/44E46F4B5F77AC8/Accident.idx
https://nitroflare.com/view/45B7E5E752F0BDE/Accident.sub

Language(s):Cantonese
Subtitles:English

Kinji Fukasaku – Omocha AKA The Geisha House (1998)

$
0
0

Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omacha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku’s film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.

1.86GB | 1h 53mn | 853×480 | mkv

https://nitroflare.com/view/54ED83668230A0A/The.Geisha.House.1998.DVDRip.x264-FuFu.mkv

Language(s):Japanese
Subtitles:English (Muxed)

Shinji Sômai – Kaza-hana (2000)


Gakuryû Ishii – Enjeru dasuto aka Angel Dust (1994)

$
0
0

Every Monday at 6 pm a young woman is murdered in the subway. The psychiatrist Setsuko Suma is called in to assist the police. The trail leads to another psychiatrist – Dr Rei Aku – who Setsuko used to date. As she get closer to the solution, she gets more and more convinced that Aku’s deprogramming of former sectmembers is important.

1.52GB | 1h 57m | 790×474 | mkv

https://nitroflare.com/view/66B7DBDF2D74CF5/Angel.Dust.1994.DVDRip.DD5.1.x264.mkv

Language(s):Japanese
Subtitles:English

Kazuo Hara – Zenshin shosetsuka aka A Dedicated Life (1994)

$
0
0

An interesting documentary about an interesting man, to say the least. Kazuo Hara follows up his controversial work “The Emperor’s Naked Army Marches On” with a bio-documentary about Mitsuharu Inoue, a famous and popular (especially among women) post-war Japanese writer. The film follows the last few years of the life of Inoue before he dies of cancer in 1992. The film starts out as a usual bio-documentary like many others, but the second half of the film digs into the writer’s past and comes up with some unexpected discoveries.

1.37GB | 2h 36m | 624×464 | avi

https://nitroflare.com/view/1AB7D68B802438D/a.dedicated.life.(kazuo.hara.1994).avi
https://nitroflare.com/view/AC441087FBE4F1F/a.dedicated.life.(kazuo.hara.1994).idx
https://nitroflare.com/view/5A482752DB286F9/a.dedicated.life.(kazuo.hara.1994).srt
https://nitroflare.com/view/65E728346EDE0DC/a.dedicated.life.(kazuo.hara.1994).sub
or
https://nitroflare.com/view/221F780A4C1BF3A/a.dedicated.life.(kazuo.hara.1994).part1.rar
https://nitroflare.com/view/DEEAC1C95DA134A/a.dedicated.life.(kazuo.hara.1994).part2.rar

Language(s):Japanese
Subtitles:English (idx/sub, srt)

The post Kazuo Hara - Zenshin shosetsuka aka A Dedicated Life (1994) first appeared on Cinema of the World.

Shinji Aoyama – Eri Eri rema sabakutani AKA Eli, Eli, Lema Sabachthani? [+Extra] (2005)

$
0
0

My God, my God, why hast thou forsaken me?
On the same day of this word created from the depth of despair, the Christ passed away on the cross, A.D.2015, Virus has been spreading in many cities worldwide. It is a suicidal disease. The virus is infected by pictures. People, once infected, certainly come down with the disease, which leads to death. They have no way of fighting against the disease filled with fear and despair. The media calls the disease the Lemming Syndrome.

There is an old country house which is located between Japanese mountains and sea.
Young retired musicians, Mizui and Asuhara, live quietly surrounded with piles of music instruments. They are not quitting making music. They only abandoned their musician lives blessed with fame and talent in a city. They do not feel impatient. They continuously have driven themselves into their work. Their creation of sound flows with air. They have had a peaceful time.

An aged plutocrat, his granddaughter, and a detective came to the country where Mizui and Asuhara live, from a city with the virus spread over, pursuing the way to escape from the death caused by the disease. The granddaughter is desperate with the symptom of the disease. The detective caught the fact that in Mizui and Asuhara’s music, there are some secrets and important effects to prevent people from getting sick and dying of the Lemming Syndrome, even if they are infected with the virus. The aged man asked Mizui to play the music to save his granddaughter from the disease.

Mizui put enormous music instruments and started playing his music at the grassland in the quiet country as you can even hear the friction of leaves. Each of the sounds with long, low and high tone was mixed with each other, and rose up in the sky. The widely opened sky does not mute the sound, just swallow it.

Will the miracle happen when the human body touches the enormous lump of the sound?.

Extra – Making of (No subs)

1.78GB | 1h 47m | 850×362 | mkv

https://nitroflare.com/view/6B7F52074FCAD7D/Eli,_Eli,_Lema_Sabachthani.mkv
https://nitroflare.com/view/492E026F0FC8F9E/Making_of.mkv

or

https://nitroflare.com/view/B3C164133DC483D/Eli,_Eli,_Lema_Sabachthani.part1.rar
https://nitroflare.com/view/9D659FCE7A31637/Eli,_Eli,_Lema_Sabachthani.part2.rar
https://nitroflare.com/view/AB944BC33FD7836/Eli,_Eli,_Lema_Sabachthani.part3.rar

Language(s):Japanese
Subtitles:English (sub/idx)

The post Shinji Aoyama - Eri Eri rema sabakutani AKA Eli, Eli, Lema Sabachthani? [+Extra] (2005) first appeared on Cinema of the World.

Kwon-taek Im – Mandala AKA A Buddhist Ascetic Mandara (1981)

$
0
0

Quote:
Six years after leaving the secular life to become a Buddhist monk, Beob-wun is still haunted by memories Young-ju, his ex-lover. He tries to find the path to the truth and meets Ji-san another monk who doesn’t even have his holy orders. Their association leads to greater pain and conflicts for Beob-wun. Ji-san dies in the snow, as partly a man resembling Buddha and a man drowning in the ways of the secular world. Beob-wun cremates Ji-san’s corpse and seeks out Young-ju and his mom. He also meets Ok-sun, a woman Ji-san could not forget. These encounters reinforce his belief that the ways of the world are meaningless and continues on his path to find the truth.

1.72GB | 1h 52m | 855×380 | mkv

https://nitroflare.com/view/7071D8C5E79D82B/Mandala.1981.DVDRip.x264-SMz.mkv
or
https://nitroflare.com/view/C58D7EEE36B306A/Mandala.1981.DVDRip.x264-SMz.part1.rar
https://nitroflare.com/view/E01A4481A897ED0/Mandala.1981.DVDRip.x264-SMz.part2.rar

Language(s):Korean (both main feature and commentary)
Subtitles:English (both main feature and commentary)

The post Kwon-taek Im - Mandala AKA A Buddhist Ascetic Mandara (1981) first appeared on Cinema of the World.

Yôichi Higashi – Shiki Natsuko (1980)

Viewing all 795 articles
Browse latest View live